It is largely through them and the composite character of Drug Enforcement Administration (DEA) deputy director Bridget Meyer (Rosario Dawson) that we come to understand the dangerously porous nature of the boundary between public and private work – allowing, for example, the Food and Drug Administration (FDA) regulators to leave government employment to work for the people they had previously been regulating. Peter Sarsgaard and John Hoogenakker play two real-life figures – assistant US attorneys Rick Mountcastle and Randy Ramseyer respectively – who eventually brought a suit against the company. The second strand concerns the legal efforts to pursue Purdue and its owners, the Sackler family. Almost the first words Finnix speaks on screen are at a hearing in 2005, speaking about his patients: “I can’t believe how many of them are dead now.” As she becomes dependent on Ox圜ontin, Betsy’s story combines the impoverished circumstances, bad luck and sense of hope that turned such towns into ground zero for an epidemic so explosive it would virtually remake the country. She can’t afford to miss work, especially as she and her girlfriend are saving to start a new life in a more welcoming town. An early prescription goes to Betsy (Kaitlyn Dever), who works in the mines alongside her father, and suffers a back injury. He is persuaded by eager young Purdue rep Billy Cutler (Will Poulter) to start some patients on the new drug. Finnix is a devoted doctor in a tiny Appalachian mining town, targeted by Purdue as part of its mission to overcome doctors’ reluctance to prescribe opioids for long-term use because of their well-documented addictive qualities. The first is the tale of Dr Samuel Finnix, played with commendable unshowiness by Michael Keaton.
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